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Phono Stages - Linn

The output level from a turntable is lower than other "line level" music sources (e.g. hi-fi streamer, CD player), so to use a turntable, your hi-fi amplifier needs to have a "turntable" or "phono" input, which indicates it has a built in phono stage. However, these are generally built to cost (a tick on the features list) rather than being optimised for performance. As such, we recommend using a dedicated phono stage for the best sound quality. We are passionate about vinyl and analog, so if you need advice on matching a phono stage to your turntable and cartridge, please call or e-mail for advice.


Linn is an iconic hi-fi manufacturer. Their current range spans from mid-level Majik systems, through to high-end Akurate and Selekt, to flagship Klimax systems along with the iconic LP12 turntable and a variety of upgrades for enhanced music. For more info on the current range, see our Linn range guide or contact us for advice.

Founded in 1973, Linn all began with one very special product - Linn's debut - that turns heads and ears to this very day: the Linn Sondek LP12 turntable. A product so perfect, very little has changed about it in over 40 years. Linn have carried the same principles and methods of design and manufacture with them throughout, and their products are produced to the same high standards as the turntable that still outsells its competitors.

Linn now produce a range of power amplifiers, digital network streamers and loudspeakers all categorised in to entry level Majik and Selekt, mid-level Akurate or flagship Klimax series to suit your budget and personal taste. The range also includes digital crossovers and power supplies and in-wall or in-ceiling speakers.

Founder Ivor Tiefenbrun was unsatisfied with the performance of a hi-fi system that he had purchased in Glasgow in the very early 70s. Upon experimenting, he came to the conclusion that the sound produced by the turntable was being affected by sound pressure variations within the loudspeakers.

He worked as an engineer for his father at the time, and with his help alongside a few of their colleagues, they crafted a precision engineered LP record playing turntable that was immune to acoustic feedback from loudspeakers. This was the Linn Sondek LP12, and with it was born the now widely accepted 'source-first' notion.

The 'source-first' notion was a challenge to the conventional wisdom of the day, which held that the loudspeaker was the most important part of the hi-fi system, rather than the individual components making up the system. Fast forward to the present day and Linn are still masters of source-first.

To this end, they now produce and manufacture their own music under the record company aptly named 'Linn Records'! They understand that good music is the key to good hi-fi and carry this to the core, with hi-fi designed to deliver the best quality music the very best possible way.

Click the banner above to view our guide to Linn's product ranges or if you are an existing LP12 owner, find out how we can help service and upgrade your Linn LP12.

Some turntables feature an on board phono stage, which will allow for direct connection to an amplifier. Many amplifiers also include a “phono” amplifier internally, enabling a direct connection from a turntable. However, as mentioned, there is a wide range of separate standalone phono stages available, varying in price, size and quality to suit every taste and budget. Using a good quality separate unit can have a profound effect on the overall sound and tonality of your system, and can also be used to augment and adjust a system which is tonally too bright or too lacklustre. For example, a system which is too bright may benefit from a valve-based phono stage to remove some harshness and to offer more tonal warmth to your music. We appreciate that matching your kit can be a complicated and daunting process, so our knowledgeable team is always happy to offer recommendations or to arrange a demonstration.

The separation of components and units is a key technique in hi-fi. Power supplies are typically noisy and produce unwanted resonance, which can interfere with audio signals and the sound you achieve from your hi-fi. Separate pre and power amplifiers are preferable to integrated amplifiers, as the separation of power supplies for the pre and power circuitry prevents unwanted resonance effecting performance. This same logic applies to a standalone phono stage, and is perhaps even more significant due to the analogue nature of vinyl records, and the adverse effect that any unwanted resonance or vibrations can have on a cartridge’s ability to track and play back vinyl records. By housing the phono stage in a separate unit, the stage’s power supply is essentially isolated from the turntable, making it easier to prevent any undesired effects of resonance on you enjoying your record collection.

It is essential to match your phono stage to your phono cartridge, in order to ensure that they are compatible. Some Moving Coil (MC) cartridges are very low output, and so will need a correspondingly high output phono stage able to boost the signals to an audible level. There are also some High Output Moving Coil cartridges, whose output levels are closer to levels found in Moving Magnet cartridges, and higher than those typically found in standard Moving Coil cartridges. Some phono stages are suitable for use with these High Output cartridges, but not every type of Moving Coil cartridge. It is vital to check that your phono stage matches the power output of your cartridge, although if you have a Moving Magnet (MM) cartridge then there should be no issues with pairing.

Phono Stages - Linn

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